The Seattle Asian Art Museum in Capitol Hill’s Volunteer Park is a splendid building housing a magnificent collection of ancient and contemporary art. Designed by the Seattle firm Bebb and Gould (designers of many noteworthy structures in Seattle, including many prominent homes on Capitol Hill) and built in 1933, it originally housed the entire collection of the Seattle Art Museum.
(Images: John Feit/Schemata Workshop with permission to CHS)
Set within Volunteer Park, SAAM shares its museum-in-the-park setting with other museums, including the Metropolitan Museum of Art, whose home is in New York City’s Central Park. As private collections predated by centuries those offered for public view, the museum-in-the-park typology finds precedent in that of the manor house in the landscape of either a noble’s estate in Europe or that of the landed elite of the East coast of the United States. Both the museum and the public garden are places of leisure, and their pairing is sensible, for sure, and allows for a full day’s outing both in and out-or-doors. In this tradition, SAAM and Volunteer Park present no less compelling a pairing than their historic or big city predecessors.
Art Deco (approximately the style in which SAAM was designed), to my mind, has always had a somewhat precarious and undervalued place within the history of modernist design. It never garnered the serious attention paid to many other 20th century movements, because it was seen, perhaps, as only a pleasant if not too serious ‘scenic’ detour along the thoroughfare of the more rigorous, international style modernism that eclipsed it. Architects, especially, like to see modernism as the built manifestation of industrialization and of the Enlightenment’s goal of human progress. Modernism’s emphasis on functionality, abstraction, and a machine aesthetic are well known. While modernist, Art Deco was perhaps too populist an expression of modernism’s machine aesthetic ideology, leading to deco’s being ultimately and sadly dismissed by ‘serious’ practitioners and their academies in favor of more somber fare. Ironically, deco’s embellishment with organic motifs and stylized figures doomed it to a short life even if those embellishments were crafted in the same materials, precision, means of that modernism propounded. Given its rather short life and relatively meager legacy, we are fortunate indeed to have such a building as SAAM, and that it is open to all to relish in.
Among modern materials, aluminum figures prominently, including in many Art Deco designs such as at SAAM. While not a new material, aluminum’s manufacturing costs had been significantly reduced by the late 19th and early 20th century making it more readily available (until then, it was priced as was silver). Continue reading →